Lucinda Bunnen created this silvery streetscape in 1974. It later appeared in ART PAPERS in 1987, in guest editor
and noted architect Merill Elam's groundbreaking architecture and design issue—dubbed a "bagazine" because its texts
and images were presented, unbound, inside a printed glassine envelope. The image of a freeway is doubled and collaged,
showcasing Bunnen's experimental approach to photography. This edition translates the reflective quality of the original
work through lithography onto mica-coated, opalescent paper.
Lucinda Weil Bunnen is a practicing photographer living in Atlanta, Georgia. She has exhibited nationally, internationally,
and regionally, in addition to curating and jurying a number of group shows. Her work has been reviewed in
The Atlanta Journal Constitution, Atlanta Magazine, The New York Times and other publications. She has co-authored three books:
Movers and Shakers in Georgia published by Simon and Schuster, 1978,
Scoring in Heaven, Gravestones and Cemetery Art in The American Sunbelt States published by Aperture Foundation, 1990,
ALASKA Trail Tales and Eccentric Detours, 1992. In 1999, she had a 30 year retrospective, accompanied by an award-winning
catalogue, titled Trail, Tales and Transformation. Her work can be found in the collections of the Museum of Modern Art,
The Whitney Museum of American Art, the Pushkin Museum in Moscow, The Smithsonian in Washington, DC, The Mint Museum in
Charlotte NC, the Ackland Art Museum in Chapel Hill, NC, the Chrysler Museum in Norfolk, VA, the National Museum of Women
in the Arts in Washington, DC, and MOCA GA and the High Museum in Atlanta, Georgia. The Lucinda Weil Bunnen Photography
Gallery opened at the High Museum of Art in 2014.