Review
The 2nd Helsinki Biennial’s Call to Action
Curated by professor Joasia Krysa, the title of the Helsinki Biennial’s second edition, New Directions May Emerge, quoted anthropologist Anna...
The 12th Liverpool Biennial: Actual and Curatorial Displacements
Drawing on the isiZulu word for spirit, breath, air, climate, and wind, the 12th Liverpool Biennial, uMoya: The Sacred Return...
Arata Isozaki, Re-Ruined Hiroshima, Photomontage, 1968
Repeated throughout his career and intoned almost like a dirge, the potent phrase “The city of the future lies in...
Flipper, Cousteau, and Homo aquaticus
The broadcast of Flipper and Jacques Cousteau’s documentaries introduced audiences to a seemingly alien world. But these popular shows sought...
The Population Bomb in the Rearview Mirror
“The battle to feed all of humanity is over. In the 1970s and 1980s hundreds of millions of people will...
Series Collapsed by MPA
Infinity had to start somewhere. ∞, also known as the lemniscate, the ouroboros, or the “lazy eight”—often a line with...
Erasing Pronouns: Beatriz Santiago Muñoz’s Ottilia
The women say that of her song nothing is to be heard but a continuous O. That is why this...
The Story of Art Without Men By Katy Hessel
Katy Hessel is seizing the moment. She is in the right time and place to elevate the power and presence...
Insisting on Resisting : Counterpublic 2023
St. Louis, home of the Gateway Arch at the confluence of the Missouri and Mississippi rivers. Emblem of Manifest Destiny....
Amalia Amaki/Liz Hampton
When the Feminist Women’s Health Center expanded, a library of books and video tapes on women’s health issues was made...